| [1.] |
Material im Prozess. Strategien ästhetischer Produktivität
(2000)
|
| [2.] |
Schmidt, Eva: Zwischen den Blick des Künstlers und die Natur schiebt sich die Sprache anderer. Botanik und Geologie, Verortung und Klassifikation bei Paul-Armand Gette und Robert Smithson.
|
| [3.] |
Meschede, Dieter: Entropie. Weil die Zeit eine Richtung besitzt
|
| [4.] |
Wagner, Monika: Materialvernichtung als künstlerische Schöpfung
(2000)
|
| [5.] |
Gauthier, Michel: Brancusi: ouvertures
(1995)
|
| [6.] |
Criqui, Jean-Pierre: Ruines à l'envers. Introduction à la visite des monuments de Passaic par Robert Smithson
(1993)
|
| [7.] |
Tiberghien, Gilles A.: "Sculptures inorganiques". Land Art et architecture
(1992)
|
| [8.] |
Alloway, Lawrence: Sites/ Nonsites
(1981)
|
| [9.] |
Robert Smithson. Sculpture.
(1981)
|
| [10.] |
Smithson, Robert: The Writings of Robert Smithson. Essays with Illustrations.
(1979)
|
| [11.] |
Alloway, Lawrence: Site Inspection
(1976)
|
| [12.] |
Smithson, Robert: Entropy made visible
(1973)
|
| [13.] |
Alloway, Lawrence: Robert Smithsons Development
(1972)
|
| [14.] |
Interview with Robert Smithson for the Archives of American Art/Smithsonian Institution. Conducted by Paul Cummings
(1972)
|
| [15.] |
Smithson, Robert: The Spiral Jetty
(1972)
|
| [16.] |
Smithson, Robert: The Earth, Subject to Cataclysms, is a Cruel master.
(1971)
|
| [17.] |
Earth. Symposion at White Museum, Cornell University
(1970)
|
| [18.] |
Smithson, Robert: The Sedimentation of the Mind. Earth Projects
(1968)
|
| [19.] |
Smithson, Robert: A Tour of the Monuments of Passaic. New Jersey
(1967)
|
| [20.] |
Smithson, Robert: Entropy and the New Monuments
(1966)
|
| [21.] |
Bery, Bryony: The Dialectic of Materiality and Theory: The critical significance of materials in post-modernist sculpture
Magisterarbeit (2001)
|
| [22.] |
Schawelka, Karl: "More matter with less art"? Zur Wahrnehmung von Material
(Berlin 2002)
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